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「体調を崩したという事を聞いてな。見舞いに来たぞ。」 「いらない。帰りなよ、未来人。」 「…………」 お前まで僕をいじめるのか、という言葉を飲み込みつつ。藤原は見舞いのフルーツを置いた。 「明日は不思議探索とやらに行く予定らしいな。」 「まぁね。気は進まないが、キョンの誘いだしね。」 「ふむ。最期の思い出作りか。」 藤原は、確認を取る。 「いや？最期とは限らないさ。」 「(おや？)」 規定事項では、佐々木は肯定するはずだが。 「橘はどうした？お前に会うといっていたが。」 「実りある話をしたよ。」 藤原は、こめかみに指を当てる。橘が辿ったであろう運命を考えると、涙を禁じ得ない 「そうか。あんまり泣かしてやるな。あいつもお前を思って……」 「意気揚々と帰っていったけど……」 お互いに顔を見合わせる。 「え？」 「え？」 ……規定事項にズレが発生したようだ。 「ジョン・スミスという来客があってね。」 「(あんにゃろう。)」 お前が佐々木と接触しては、真っ先に消されるぞ。そう考えた藤原だが…… 「来客といっても、姿すら見えなかったし、その名前すら定かでないんだ。」 「…………」 ＴＰＤＤに、そんな機能はない。恐らくはあのインターフェースが一緒にいるのだろう。 「(本気で姉さんと事を構えるつもりか。)」 黙って幸せになっておけばいいものを。つくづく報われない男だ。 「(そんなバカだからこそ、こうしたお節介を焼いているんだがな。)」 いくつか確認しておくべき事項があった。だが、それは全て解決しており、自分が骨を折る必要すらなかった。しかし。 「(だからこそ、ダークサイドが必要になる。)」 分岐する道。それもここから分岐するならば、『自分』は、佐々木達に会う事は二度となくなる。 「(ふくくっ。まぁそれもいい。)」 どうせ一度はそうなった身だ。 全てを選ぶのは、佐々木自身だ。 「未来を犠牲にする、という事は考えるな。」 「…………？」 「僕は既に一度は消えた身。大勢に影響などはない。選択の積み重ねが未来であり、選択の結果が未来だ。その選択をする権利は、未来にはない。 ただ、忘れるな。『僕は存在している』。それが全ての答えだ。」 To Be Continued 『Cross Road』2
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PART ONE 1. Sinfonia (Overture) 2. Accompagnato Tenor Comfort ye, comfort ye my people, saith your God. Speak ye comfortably to Jerusalem, and cry unto her, that her warfare is accomplished, that her iniquity is pardoned. The voice of him that crieth in the wilderness; prepare ye the way of the Lord; make straight in the desert a highway for our God. (Isaiah 40 1-3) 3. Air Tenor Ev ry valley shall be exalted, and ev ry moutain and hill made low; the crooked straight and the rough places plain. (Isaiah 40 4) 4. Chorus And the glory of the Lord shall be revealed, and all flesh shall see it together for the mouth of the Lord hath spoken it. (Isaiah 40 5) 5. Accompagnato Bass Thus saith the Lord, the Lord of hosts Yet once a little while and I will shake the heavens and the earth, the sea and the dry land. And I will shake all nations; and the desire of all nations shall come. (Haggai 2 6-7) The Lord, whom ye seek, shall suddenly come to His temple, even the messenger of the Covenant, whom you delight in; behold, He shall come, saith the Lord of hosts. (Malachi 3 1) 6. Air Alto or soprano But who may abide the day of His coming, and who shall stand when He appeareth? For He is like a refiner s fire. (Malachi 3 2) 7. Chorus And He shall purify the sons of Levi, that they may offer unto the Lord an offering in righteousness. (Malachi 3 3) 8. Recitative Alto Behold, a virgin shall conceive and bear a son, and shall call His name Emmanuel, God with us. (Isaiah 7 14; Matthew 1 23) 9. Air and Chorus Alto O thou that tellest good tidings to Zion, get thee up into the high mountain. O thou that tellest good tidings to Jerusalem, lift up thy voice with strength; lift it up, be not afraid; say unto the cities of Judah, behold your g od! (Isaiah 40 9) Arise, shine, for thy light is come, and the glory of the Lord is risen upon thee. (Isaiah 60 1) Chorus O thou that tellest. . . etc. 10. Accompagnato Bass For behold, darkness shall cover the earth, and gross darkness the people; but the Lord shall arise upon thee, and His glory shall be seen upon thee. And the Gentiles shall come to thy light, and kings to the brightness of thy rising. (Isaiah 60 2-3) 11. Air Bass The people that walked in darkness have seen a great light; and they that dwell in the land of the shadow of death, upon them hath the light shined. (Isaiah 9 2) 12. Chorus For unto us a child is born, unto us a son is given, and the government shall be upon His shoulder; and His name shall be called Wonderful, Counsellor, the mighty God, the Everlasting Father, the Prince of Peace. (Isaiah 9 6) 13. Pifa ("Pastoral Symphony") 14a. Recitative Soprano There were shepherds abiding in the field, keeping watch over their flocks by night. (Luke 2 8) 14b. Accompagnato Soprano And lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them, and they were sore afraid. (Luke 2 9) 15. Recitative Soprano And the angel said unto them "Fear not, for behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord." (Luke 2 10-11) 16. Accompagnato Soprano And suddenly there was with the angel, a multitude of the heavenly host, praising God, and saying (Luke 2 13) 17. Chorus "Glory to God in the highest, and peace on earth, good will towards men." (Luke 2 14) 18. Air Soprano Rejoice greatly, O daughter of Zion; shout, O daughter of Jerusalem! Behold, thy King cometh unto thee; He is the righteous Saviour, and He shall speak peace unto the heathen. Rejoice greatly. . . da capo (Zecharaiah 9 9-10) 19. Recitative Alto Then shall the eyes of the blind be opened, and the ears of the deaf unstopped. Then shall the lame man leap as an hart, and the tongue of the dumb shall sing. (Isaiah 35 5-6) 20. Air (or Duet) (Alto ) soprano He shall feed His flock like a shepherd; and He shall gather the lambs with His arm, and carry them in His bosom, and gently lead those that are with young. (Isaiah 40 11) Come unto Him, all ye that labour, come unto Him that are heavy laden, and He will give you rest. Take his yoke upon you, and learn of Him, for He is meek and lowly of heart, and ye shall find rest unto your souls. (Matthew 11 28-29) 21. Chorus His yoke is easy, and His burden is light. (Matthew 11 30) PART TWO 22. Chorus Behold the Lamb of God, that taketh away the sin of the world. (John 1 29) 23. Air Alto He was despised and rejected of men, a man of sorrows and acquainted with grief. (Isaiah 53 3) He gave His back to the smiters, and His cheeks to them that plucked off His hair He hid not His face from shame and spitting. He was despised. . . da capo (Isaiah 53 6) 24. Chorus Surely He hath borne our griefs, and carried our sorrows! He was wounded for our transgressions, He was bruised for our iniquities; the chastisement of our peace was upon Him. (Isaiah 53 4-5) 25. Chorus And with His stripes we are healed. (Isaiah 53 5) 26. Chorus All we like sheep have gone astray; we have turned every one to his own way. And the Lord hath laid on Him the iniquity of us all. (Isaiah 53 6) 27. Accompagnato Tenor All they that see Him laugh Him to scorn; they shoot out their lips, and shake their heads, saying (Psalm 22 7) 28. Chorus "He trusted in God that He would deliver Him; let Him deliver Him, if He delight in Him." (Psalm 22 8) 29. Accompagnato Tenor Thy rebuke hath broken His heart He is full of heaviness. He looked for some to have pity on Him, but there was no man, neither found He any to comfort him. (Psalm 69 20) 30. Arioso Tenor Behold, and see if there be any sorrow like unto His sorrow. (Lamentations 1 12) 31. Accompagnato Soprano or tenor He was cut off out of the land of the living for the transgressions of Thy people was He stricken. (Isaiah 53 8) 32. Air Soprano or tenor But Thou didst not leave His soul in hell; nor didst Thou suffer Thy Holy One to see corruption. (Psalm 16 10) 33. Chorus Lift up your heads, O ye gates; and be ye lift up, ye everlasting doors; and the King of Glory shall come in. Who is this King of Glory? The Lord strong and mighty, The Lord mighty in battle. Lift up your heads, O ye gates; and be ye lift up, ye everlasting doors; and the King of Glory shall come in. Who is this King of Glory? The Lord of Hosts, He is the King of Glory. (Psalm 24 7-10) 34. Recitative Tenor Unto which of the angels said He at any time "Thou art My Son, this day have I begotten Thee?" (Hebrews 1 5) 35. Chorus Let all the angels of God worship Him. (Hebrews 1 6) 36. Air Alto or soprano Thou art gone up on high; Thou hast led captivity captive, and received gifts for men; yea, even from Thine enemies, that the Lord God might dwell among them. (Psalm 68 18) 37. Chorus The Lord gave the word; great was the company of the preachers. (Psalm 68 11) 38. Air (or « duet and Chorus ») Soprano or alto (or soprano, alto and Chorus) How beautiful are the feet of them that preach the gospel of peace, and bring glad tidings of good things. (Isaiah 52 7; Romans 10 15) 39. Chorus (or air for tenor) Their sound is gone out into all lands, and their words unto the ends of the world. (Romans 10 18; Psalm 19 4) 40. Air (or « Air and Recitative ») Bass Why do the nations so furiously rage together, and why do the people imagine a vain thing? The kings of the earth rise up, and the rulers take counsel together against the Lord, and against His anointed. (Psalm 2 1-2) 41. Chorus Let us break their bonds asunder, and cast away their yokes from us. (Psalm 2 3) 42. Recitative Tenor He that dwelleth in Heav n shall laugh them to scorn; The Lord shall have them in derision. (Psalm 2 4) 43. Air Tenor Thou shalt break them with a rod of iron; thou shalt dash them in pieces like a potter s vessel. (Psalm 2 9) 44. Chorus Hallelujah for the Lord God Omnipotent reigneth. (Revelation 19 6) The kingdom of this world is become the kingdom of our Lord, and of His Christ; and He shall reign for ever and ever. (Revelation 11 15) King of Kings, and Lord of Lords. (Revelation 19 16) Hallelujah! PART THREE 45. Air Soprano I know that my Redeemer liveth, and that He shall stand at the latter day upon the earth. And though worms destroy this body, yet in my flesh shall I see God. (Job 19 25-26) For now is Christ risen from the dead, the first fruits of them that sleep. (I Corinthians 15 20) 46. Chorus Since by man came death, by man came also the resurrection of the dead. For as in Adam all die, even so in Christ shall all be made alive. (I Corinthians 15 21-22) 47. Accompagnato Bass Behold, I tell you a mystery; we shall not all sleep, but we shall all be changed in a moment, in the twinkling of an eye, at the last trumpet. (I Corinthians 15 51-52) 48. Air Bass The trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed. For this corruptible must put on incorruption and this mortal must put on immortality. The trumpet. . . da capo (I Corinthians 15 52-53) 49. Recitative Alto Then shall be brought to pass the saying that is written "Death is swallowed up in victory." (I Corinthians 15 54) 50. Duet Alto tenor O death, where is thy sting? O grave, where is thy victory? The sting of death is sin, and the strength of sin is the law. (I Corinthians 15 55-56) 51. Chorus But thanks be to God, who giveth us the victory through our Lord Jesus Christ. (I Corinthians 15 57) 52. Air Soprano alto If God be for us, who can be against us? (Romans 8 31) Who shall lay anything to the charge of God s elect? It is God that justifieth, who is he that condemneth? It is Christ that died, yea rather, that is risen again, who is at the right hand of God, who makes intercession for us. (Romans 8 33-34) 53. Chorus Worthy is the Lamb that was slain, and hath redeemed us to God by His blood, to receive power, and riches, and wisdom, and strength, and honour, and glory, and blessing. Blessing and honour, glory and power, be unto Him that sitteth upon the throne, and unto the Lamb, for ever and ever. Amen. (Revelation 5 12-14) PART ONE 1. Sinfonia (Overture) 2. Accompagnato Tenor Comfort ye, comfort ye my people, saith your God. Speak ye comfortably to Jerusalem, and cry unto her, that her warfare is accomplished, that her iniquity is pardoned. The voice of him that crieth in the wilderness; prepare ye the way of the Lord; make straight in the desert a highway for our God. (Isaiah 40 1-3) 3. Air Tenor Ev ry valley shall be exalted, and ev ry moutain and hill made low; the crooked straight and the rough places plain. (Isaiah 40 4) 4. Chorus And the glory of the Lord shall be revealed, and all flesh shall see it together for the mouth of the Lord hath spoken it. (Isaiah 40 5) 5. Accompagnato Bass Thus saith the Lord, the Lord of hosts Yet once a little while and I will shake the heavens and the earth, the sea and the dry land. And I will shake all nations; and the desire of all nations shall come. (Haggai 2 6-7) The Lord, whom ye seek, shall suddenly come to His temple, even the messenger of the Covenant, whom you delight in; behold, He shall come, saith the Lord of hosts. (Malachi 3 1) 6. Air Alto or soprano But who may abide the day of His coming, and who shall stand when He appeareth? For He is like a refiner s fire. (Malachi 3 2) 7. Chorus And He shall purify the sons of Levi, that they may offer unto the Lord an offering in righteousness. (Malachi 3 3) 8. Recitative Alto Behold, a virgin shall conceive and bear a son, and shall call His name Emmanuel, God with us. (Isaiah 7 14; Matthew 1 23) 9. Air and Chorus Alto O thou that tellest good tidings to Zion, get thee up into the high mountain. O thou that tellest good tidings to Jerusalem, lift up thy voice with strength; lift it up, be not afraid; say unto the cities of Judah, behold your g od! (Isaiah 40 9) Arise, shine, for thy light is come, and the glory of the Lord is risen upon thee. (Isaiah 60 1) Chorus O thou that tellest. . . etc. 10. Accompagnato Bass For behold, darkness shall cover the earth, and gross darkness the people; but the Lord shall arise upon thee, and His glory shall be seen upon thee. And the Gentiles shall come to thy light, and kings to the brightness of thy rising. (Isaiah 60 2-3) 11. Air Bass The people that walked in darkness have seen a great light; and they that dwell in the land of the shadow of death, upon them hath the light shined. (Isaiah 9 2) 12. Chorus For unto us a child is born, unto us a son is given, and the government shall be upon His shoulder; and His name shall be called Wonderful, Counsellor, the mighty God, the Everlasting Father, the Prince of Peace. (Isaiah 9 6) 13. Pifa ("Pastoral Symphony") 14a. Recitative Soprano There were shepherds abiding in the field, keeping watch over their flocks by night. (Luke 2 8) 14b. Accompagnato Soprano And lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them, and they were sore afraid. (Luke 2 9) 15. Recitative Soprano And the angel said unto them "Fear not, for behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord." (Luke 2 10-11) 16. Accompagnato Soprano And suddenly there was with the angel, a multitude of the heavenly host, praising God, and saying (Luke 2 13) 17. Chorus "Glory to God in the highest, and peace on earth, good will towards men." (Luke 2 14) 18. Air Soprano Rejoice greatly, O daughter of Zion; shout, O daughter of Jerusalem! Behold, thy King cometh unto thee; He is the righteous Saviour, and He shall speak peace unto the heathen. Rejoice greatly. . . da capo (Zecharaiah 9 9-10) 19. Recitative Alto Then shall the eyes of the blind be opened, and the ears of the deaf unstopped. Then shall the lame man leap as an hart, and the tongue of the dumb shall sing. (Isaiah 35 5-6) 20. Air (or Duet) (Alto ) soprano He shall feed His flock like a shepherd; and He shall gather the lambs with His arm, and carry them in His bosom, and gently lead those that are with young. (Isaiah 40 11) Come unto Him, all ye that labour, come unto Him that are heavy laden, and He will give you rest. Take his yoke upon you, and learn of Him, for He is meek and lowly of heart, and ye shall find rest unto your souls. (Matthew 11 28-29) 21. Chorus His yoke is easy, and His burden is light. (Matthew 11 30) PART TWO 22. Chorus Behold the Lamb of God, that taketh away the sin of the world. (John 1 29) 23. Air Alto He was despised and rejected of men, a man of sorrows and acquainted with grief. (Isaiah 53 3) He gave His back to the smiters, and His cheeks to them that plucked off His hair He hid not His face from shame and spitting. He was despised. . . da capo (Isaiah 53 6) 24. Chorus Surely He hath borne our griefs, and carried our sorrows! He was wounded for our transgressions, He was bruised for our iniquities; the chastisement of our peace was upon Him. (Isaiah 53 4-5) 25. Chorus And with His stripes we are healed. (Isaiah 53 5) 26. Chorus All we like sheep have gone astray; we have turned every one to his own way. And the Lord hath laid on Him the iniquity of us all. (Isaiah 53 6) 27. Accompagnato Tenor All they that see Him laugh Him to scorn; they shoot out their lips, and shake their heads, saying (Psalm 22 7) 28. Chorus "He trusted in God that He would deliver Him; let Him deliver Him, if He delight in Him." (Psalm 22 8) 29. Accompagnato Tenor Thy rebuke hath broken His heart He is full of heaviness. He looked for some to have pity on Him, but there was no man, neither found He any to comfort him. (Psalm 69 20) 30. Arioso Tenor Behold, and see if there be any sorrow like unto His sorrow. (Lamentations 1 12) 31. Accompagnato Soprano or tenor He was cut off out of the land of the living for the transgressions of Thy people was He stricken. (Isaiah 53 8) 32. Air Soprano or tenor But Thou didst not leave His soul in hell; nor didst Thou suffer Thy Holy One to see corruption. (Psalm 16 10) 33. Chorus Lift up your heads, O ye gates; and be ye lift up, ye everlasting doors; and the King of Glory shall come in. Who is this King of Glory? The Lord strong and mighty, The Lord mighty in battle. Lift up your heads, O ye gates; and be ye lift up, ye everlasting doors; and the King of Glory shall come in. Who is this King of Glory? The Lord of Hosts, He is the King of Glory. (Psalm 24 7-10) 34. Recitative Tenor Unto which of the angels said He at any time "Thou art My Son, this day have I begotten Thee?" (Hebrews 1 5) 35. Chorus Let all the angels of God worship Him. (Hebrews 1 6) 36. Air Alto or soprano Thou art gone up on high; Thou hast led captivity captive, and received gifts for men; yea, even from Thine enemies, that the Lord God might dwell among them. (Psalm 68 18) 37. Chorus The Lord gave the word; great was the company of the preachers. (Psalm 68 11) 38. Air (or « duet and Chorus ») Soprano or alto (or soprano, alto and Chorus) How beautiful are the feet of them that preach the gospel of peace, and bring glad tidings of good things. (Isaiah 52 7; Romans 10 15) 39. Chorus (or air for tenor) Their sound is gone out into all lands, and their words unto the ends of the world. (Romans 10 18; Psalm 19 4) 40. Air (or « Air and Recitative ») Bass Why do the nations so furiously rage together, and why do the people imagine a vain thing? The kings of the earth rise up, and the rulers take counsel together against the Lord, and against His anointed. (Psalm 2 1-2) 41. Chorus Let us break their bonds asunder, and cast away their yokes from us. (Psalm 2 3) 42. Recitative Tenor He that dwelleth in Heav n shall laugh them to scorn; The Lord shall have them in derision. (Psalm 2 4) 43. Air Tenor Thou shalt break them with a rod of iron; thou shalt dash them in pieces like a potter s vessel. (Psalm 2 9) 44. Chorus Hallelujah for the Lord God Omnipotent reigneth. (Revelation 19 6) The kingdom of this world is become the kingdom of our Lord, and of His Christ; and He shall reign for ever and ever. (Revelation 11 15) King of Kings, and Lord of Lords. (Revelation 19 16) Hallelujah! PART THREE 45. Air Soprano I know that my Redeemer liveth, and that He shall stand at the latter day upon the earth. And though worms destroy this body, yet in my flesh shall I see God. (Job 19 25-26) For now is Christ risen from the dead, the first fruits of them that sleep. (I Corinthians 15 20) 46. Chorus Since by man came death, by man came also the resurrection of the dead. For as in Adam all die, even so in Christ shall all be made alive. (I Corinthians 15 21-22) 47. Accompagnato Bass Behold, I tell you a mystery; we shall not all sleep, but we shall all be changed in a moment, in the twinkling of an eye, at the last trumpet. (I Corinthians 15 51-52) 48. Air Bass The trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed. For this corruptible must put on incorruption and this mortal must put on immortality. The trumpet. . . da capo (I Corinthians 15 52-53) 49. Recitative Alto Then shall be brought to pass the saying that is written "Death is swallowed up in victory." (I Corinthians 15 54) 50. Duet Alto tenor O death, where is thy sting? O grave, where is thy victory? The sting of death is sin, and the strength of sin is the law. (I Corinthians 15 55-56) 51. Chorus But thanks be to God, who giveth us the victory through our Lord Jesus Christ. (I Corinthians 15 57) 52. Air Soprano alto If God be for us, who can be against us? (Romans 8 31) Who shall lay anything to the charge of God s elect? It is God that justifieth, who is he that condemneth? It is Christ that died, yea rather, that is risen again, who is at the right hand of God, who makes intercession for us. (Romans 8 33-34) 53. Chorus Worthy is the Lamb that was slain, and hath redeemed us to God by His blood, to receive power, and riches, and wisdom, and strength, and honour, and glory, and blessing. Blessing and honour, glory and power, be unto Him that sitteth upon the throne, and unto the Lamb, for ever and ever. Amen. (Revelation 5 12-14) (libretto Charles Jennens) Handel,George Frideric/Messiah
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製作者 するめいか DL先↓ http //www.mediafire.com/download/g3igmlb5nv7z92d/I+wanna+see+the+Pink+road.zip
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One with One One with One アーティスト ESオールスターズ 発売日 2023年6月28日 レーベル フロンティアワークス CDデイリー最高順位 2位(2023年6月28日) 週間最高順位 5位(2023年7月5日) 月間最高順位 15位(2023年6月) 初動総合売上 11660 累計総合売上 14890 収録内容 曲名 タイアップ 視聴 1 One with One あんさんぶるスターズ! テーマソング 2 あんさんぶるトレーニング CD/総合ランキング 週 月日 CDシングル 総合シングル 順位 週/月間枚数 累計枚数 順位 週/月間枚数 累計枚数 1 7/4 3 8398 8398 5 11660 11660 2023年6月 9 8398 8398 15 11660 11660 2 7/11 11 1829 10227 19 2891 14551 3 7/18 71 10298 71 14622 4 7/25 268 10566 268 14890 2023年7月 28 2168 10566 37 3230 14890 関連CD Twilight Pentagram/Dawning Angels
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弱虫ペダル GRANDE ROADアニメ公式／Wikipedia 話数：全24話 放送時期：2014年10月～2015年03月 関連作品： ・弱虫ペダル（TVアニメシリーズ第1期。2013年10月～2014年06月放送。全38話） ・弱虫ペダル Re RIDE（アニメ映画第1弾。TVアニメシリーズ第1期に新規カットを加えて再編集したもの。2013年09月19日より2週間限定で公開予定） ・本作（TVアニメシリーズ第2期。2014年10月～2015年03月放送。全24話） 基本情報 音響監督 高寺たけし 音楽 沢田 完 オープニング主題歌 「Determination」LASTGASP（第1話～第12話） 作詞・作曲：岡田勇希 編曲：LASTGASP「リマインド」ROOKiEZ is PUNK D（第13話～第24話） 作詞：SHiNNOSUKE 作曲・編曲：ROOKiEZ is PUNK D エンディング主題歌 「リアライズ」ROOKiEZ is PUNK D（第1話～第12話） 作詞：SHiNNOSUKE 作曲・編曲：ROOKiEZ is PUNK D「栄光への一秒」MAGIC OF LiFE（第13話～第24話） 作詞・作曲：高津戸信幸 編曲：MAGIC OF LiFE 挿入歌 「恋のヒメヒメぺったんこ」小野田坂道（CV 山下大輝）、田所 迅（CV：伊藤健太郎）、今泉俊輔（CV：鳥海浩輔）、金城真護（CV：安元洋貴）（第5話） 作詞：渡辺 航 作詞補佐：yura 作曲・編曲：田代智一 ※クレジットなし ※Cパートの風呂シーンで合唱された。「恋のヒメヒメぺったんこ」姫野湖鳥（CV 田村ゆかり）（第13話、第24話） 作詞：渡辺 航 作詞補佐：yura 作曲・編曲：田代智一 各話使用音楽一覧 ここでのOP・EDの定義はクレジット上の表記ではなく、OP・EDクレジットのテロップが表示されている場面（多くはOP・ED映像と共に流れる）で流れていた楽曲のことを指す。基本曲名のみで表記し、歌手などが違う場合その都度表記する。 話数 サブタイトル OP ED 挿入歌他 第1話 フェイズ49 「Determination」 「リアライズ」 なし 第2話 エースたち 「Determination」 「リアライズ」 なし 第3話 翔 「Determination」 「リアライズ」 なし 第4話 覚悟 「Determination」 「リアライズ」 なし 第5話 薬局までの3km 「Determination」 「リアライズ」 「恋のヒメヒメぺったんこ」 ※クレジットなし。 ※Cパートの風呂シーンで歌われた。 第6話 モってる男 「Determination」 「リアライズ」 なし 第7話 迫る、集団 「Determination」 「リアライズ」 なし 第8話 アラキタ 「Determination」 「リアライズ」 なし 第9話 呉の闘犬 「Determination」 「リアライズ」 なし 第10話 その先の領域 「Determination」 「リアライズ」 なし 第11話 サバイバル 「Determination」 「リアライズ」 なし 第12話 泉田の誇り 「Determination」 「リアライズ」 なし 第13話 激走、山中湖 「リマインド」 「栄光への一秒」 「恋のヒメヒメぺったんこ」 第14話 最後の作戦 「リマインド」 「栄光への一秒」 なし 第15話 鳴子!真骨頂! 「リマインド」 「栄光への一秒」 なし 第16話 エース今泉! 「リマインド」 「栄光への一秒」 なし 第17話 箱根学園ゼッケン6番 「リマインド」 「栄光への一秒」 なし 第18話 一歩一歩 「リマインド」 「栄光への一秒」 なし 第19話 坂道の役割 「リマインド」 「栄光への一秒」 なし 第20話 今泉vs御堂筋 「リマインド」 「栄光への一秒」 なし 第21話 91番 「リマインド」 「栄光への一秒」 なし 第22話 真波と坂道 「リマインド」 「栄光への一秒」 なし 第23話 約束の道 「リマインド」 「栄光への一秒」 なし 第24話 WINNER 「リマインド」 「栄光への一秒」 「恋のヒメヒメぺったんこ」
https://w.atwiki.jp/road2010/pages/18.html
ROAD用語集 な行 好きにしちゃって(^o^) ﾆﾝﾇｰ・・・･ﾄｯﾌﾟ65.9、ｱﾝﾀﾞｰ65.0
https://w.atwiki.jp/road2010/pages/22.html
ROAD用語集 ら行 好きにしちゃって(^o^) ﾗｩﾒｿ・・・ﾗｰﾒﾝ・うどん・めし・そば の略らしい ロマンティック・・・とまらない ロマンティックあげるよ・・・ほんとの勇気見せてくれたら
https://w.atwiki.jp/gtav/pages/961.html
ポリス・ロードクルーザー (Police Roadcruiser) データ 種類 メーカー 和名 価格 ドア 駆動 モデル 日本語訳 緊急車両 アルバニー ポリス・ロードクルーザー 購入不可 4ドア FR キャデラック・セビル 警察・道路巡洋艦 ステータス 解説 2004年時点でノースヤンクトン州警 が所有していた警察車両。 前作『GTAIV』に登場したEsperantoをベースとする車両で、標準車が続投しなかった今作においては極めて貴重な存在(*1)。 元ネタ車種の年式を考慮すると2004年時点でもかなりの旧式であり、2013年現在は払い下げになっていることだろう。 塗装のモデルはノースダコタ州警 のパトカーで、2本あるラインの色が逆になっている。 タイヤチェーンと黄色ランプを装着した雪国仕様で、フロントガラス両脇にガンスポットライトを付けている。 サイレンは通常出現するパトカーと変わりないが、パトランプの点灯パターンは独特なもの。 エンジン音はウォーレナーと同じ（ウォーレナーより音が静か）。 内装は一般車と同様の汎用クラシックカータイプ。 プレイヤーが乗車することを考慮していないためか無線機すらなく、ドライバーの私物（例：コーヒー、芳香剤）等がランダムで装着されている。 さらには図のように、2004年にあるはずのないスマートフォンスタンドが装着されている事も（プロローグでマイケルが起爆用に使う携帯はストレート式）。 ※写真はトレバー、クリエイターにて撮影 データ上には policeold1 として存在している。 出現場所 オフライン 「プロローグ」のみ出現 オンライン 出現しない （2014年頃まではクリエイターモードで警察車両として配置できたが、2022年現在では出現させる方法はない） 画像 Esperanto GTA4で登場したEsperanto
https://w.atwiki.jp/vocaloidenglishlyric/pages/161.html
【Tags Akuno-P Len Rin tA tE O】 Original Music Title 置き去り月夜抄 English music title Excerption of Being Abandoned on a Moonlit Night Romaji music title Okizari Tsukiyoshou Music Lyrics written, Voice edited by mothy \ 悪ノP(Akuno-P) Music arranged by mothy \ 悪ノP(Akuno-P) Singers 鏡音リン (Kagamine Rin), 鏡音レン (Kagamine Len) Click here for the original Japanese Lyrics English Lyrics (translated by Cezaria Kylara)： Mother What kind of fortune will come to us on this path? Over there Will we be able to eat lots Of our favorite snacks? Father Will God be waiting for us down this path? Why Are you looking at us with such a sad face? In the midst of the dark forest We truly understood everything. If we keep on going We will never be able to return. We were left by ourselves, Like Hansel and Gretel By the faint light of the great moon, We do not even know the way home. We are walking, wandering and walking. There is no reason to not hold hands. The moon shines on the little glass bottle The glittering light illuminates the path Even if this is the right path, We do not know, Only merely walking. Finally, we have found it. We know this place. This is the witch's home. Come, let's finish off the evil witch, Throw her in a burning oven. If she isn't around, we will definitely Become happy. Hey Mother, praise me I defeated the evil witch. Hey Father, praise me I've defeated her henchman as well. Nevertheless This is a good place to settle. It feels as if, long ago We used to lived here. Come, let's go see our "real" mother and father. English Lyrics (translated by ArtemisA )： Mother, what sort of happiness will this path lead us to? When we get there, will we get to eat all our favorite snacks? Father, is God waiting for us at the end? Why are you looking at us so sadly? In the deep, dark forest We knew the truth If we kept going We would never make it back home We were left all alone, us two, just like Hansel and Gretel Under the moon's faint light we can't find the road home We walk, we wander aimlessly But not because we don't know what to do We've got the moon's light in a little glass bottle It's twinkling light shines on our path Even so, how do we know this road is the right one? Not knowing this, we just walk on Finally we know we've found it This is the witch's house Now kill that evil witch, throw her into the burning oven Once she's gone we'll surely be happy Oh Mother, aren't you proud of me? We've defeated the evil witch Oh Father, aren't you proud of me? We've defeated all her henchmen too And yet This is such a peaceful place It feels like we've lived here all our lives So, let's go find our "real" mother and father... Romaji lyrics (transliterated by Hikarin)： Kaasan Kono michi wa donna shiawase ni tsudzuite iru no? Soko de wa Daisuki na oyatsu wo takusan taberareru no ka na? Tousan Kono saki ni kamisama wa matte iru no desu ka? Doushite Sonna kanashii kao de bokura wo miru no desu ka? Kurai mori no naka Hontou wa subete wakatte ita Kono mama susumeba Mou kaeru koto wa dekinai to Futari bocchi nokosareta bokura maru de HENZERU to GUREETERU Otsukisama no wazuka na hikari de wa kaeru michi mo wakaranai Bokura wa aruku samayoi aruku Tegakari ga nai wake ja nai GARASU no kobin tsuki ni terasare Pikapika hikari michi wo terasu Saredomo sore ga tadashii michi ka Bokura wa shirazu tadatada aruku Yatto mitsuketa bokura ni wa wakaru Koko wa majo no ie Saa warui majo wo yattsukero moeru kamado ni houri nagero Kanojo ga inakerya bokura wa kitto shiawase ni nareruhazu Nee okaasan watashi wo homete Warui majo wa taoshita no yo Nee otousan boku wo homete Majo no kobun mo taoshi tanda Sore ni shite mo Koko wa totemo ochitsuku tokoro da ne Maru de mukashi kara Sunde ita you na ki ga suru ne Saa "hontou no" kaasan to tousan ni ai ni yukou [mothy, Akuno-P, AkunoP]
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CHAPTER XXXVII UP CHAPTER XXXVIII The Bend in the road Marilla went to town the next day and returned in the evening. Anne had gone over to Orchard Slope with Diana and came back to find Marilla in the kitchen, sitting by the table with her head leaning on her hand. Something in her dejected attitude struck a chill to Anne s heart. She had never seen Marilla sit limply inert like that. "Are you very tired, Marilla?" "Yes--no--I don t know," said Marilla wearily, looking up. "I suppose I am tired but I haven t thought about it. It s not that." "Did you see the oculist? What did he say?" asked Anne anxiously. "Yes, I saw him. He examined my eyes. He says that if I give up all reading and sewing entirely and any kind of work that strains the eyes, and if I m careful not to cry, and if I wear the glasses he s given me he thinks my eyes may not get any worse and my headaches will be cured. But if I don t he says I ll certainly be stone-blind in six months. Blind! Anne, just think of it!" For a minute Anne, after her first quick exclamation of dismay, was silent. It seemed to her that she could NOT speak. Then she said bravely, but with a catch in her voice "Marilla, DON T think of it. You know he has given you hope. If you are careful you won t lose your sight altogether; and if his glasses cure your headaches it will be a great thing." "I don t call it much hope," said Marilla bitterly. "What am I to live for if I can t read or sew or do anything like that? I might as well be blind--or dead. And as for crying, I can t help that when I get lonesome. But there, it s no good talking about it. If you ll get me a cup of tea I ll be thankful. I m about done out. Don t say anything about this to any one for a spell yet, anyway. I can t bear that folks should come here to question and sympathize and talk about it." When Marilla had eaten her lunch Anne persuaded her to go to bed. Then Anne went herself to the east gable and sat down by her window in the darkness alone with her tears and her heaviness of heart. How sadly things had changed since she had sat there the night after coming home! Then she had been full of hope and joy and the future had looked rosy with promise. Anne felt as if she had lived years since then, but before she went to bed there was a smile on her lips and peace in her heart. She had looked her duty courageously in the face and found it a friend--as duty ever is when we meet it frankly. One afternoon a few days later Marilla came slowly in from the front yard where she had been talking to a caller-- a man whom Anne knew by sight as Sadler from Carmody. Anne wondered what he could have been saying to bring that look to Marilla s face. "What did Mr. Sadler want, Marilla?" Marilla sat down by the window and looked at Anne. There were tears in her eyes in defiance of the oculist s prohibition and her voice broke as she said "He heard that I was going to sell Green Gables and he wants to buy it." "Buy it! Buy Green Gables?" Anne wondered if she had heard aright. "Oh, Marilla, you don t mean to sell Green Gables!" "Anne, I don t know what else is to be done. I ve thought it all over. If my eyes were strong I could stay here and make out to look after things and manage, with a good hired man. But as it is I can t. I may lose my sight altogether; and anyway I ll not be fit to run things. Oh, I never thought I d live to see the day when I d have to sell my home. But things would only go behind worse and worse all the time, till nobody would want to buy it. Every cent of our money went in that bank; and there s some notes Matthew gave last fall to pay. Mrs. Lynde advises me to sell the farm and board somewhere--with her I suppose. It won t bring much--it s small and the buildings are old. But it ll be enough for me to live on I reckon. I m thankful you re provided for with that scholarship, Anne. I m sorry you won t have a home to come to in your vacations, that s all, but I suppose you ll manage somehow." Marilla broke down and wept bitterly. "You mustn t sell Green Gables," said Anne resolutely. "Oh, Anne, I wish I didn t have to. But you can see for yourself. I can t stay here alone. I d go crazy with trouble and loneliness. And my sight would go--I know it would." "You won t have to stay here alone, Marilla. I ll be with you. I m not going to Redmond." "Not going to Redmond!" Marilla lifted her worn face from her hands and looked at Anne. "Why, what do you mean?" "Just what I say. I m not going to take the scholarship. I decided so the night after you came home from town. You surely don t think I could leave you alone in your trouble, Marilla, after all you ve done for me. I ve been thinking and planning. Let me tell you my plans. Mr. Barry wants to rent the farm for next year. So you won t have any bother over that. And I m going to teach. I ve applied for the school here--but I don t expect to get it for I understand the trustees have promised it to Gilbert Blythe. But I can have the Carmody school--Mr. Blair told me so last night at the store. Of course that won t be quite as nice or convenient as if I had the Avonlea school. But I can board home and drive myself over to Carmody and back, in the warm weather at least. And even in winter I can come home Fridays. We ll keep a horse for that. Oh, I have it all planned out, Marilla. And I ll read to you and keep you cheered up. You sha n t be dull or lonesome. And we ll be real cozy and happy here together, you and I." Marilla had listened like a woman in a dream. "Oh, Anne, I could get on real well if you were here, I know. But I can t let you sacrifice yourself so for me. It would be terrible." "Nonsense!" Anne laughed merrily. "There is no sacrifice. Nothing could be worse than giving up Green Gables--nothing could hurt me more. We must keep the dear old place. My mind is quite made up, Marilla. I m NOT going to Redmond; and I AM going to stay here and teach. Don t you worry about me a bit." "But your ambitions--and--" "I m just as ambitious as ever. Only, I ve changed the object of my ambitions. I m going to be a good teacher-- and I m going to save your eyesight. Besides, I mean to study at home here and take a little college course all by myself. Oh, I ve dozens of plans, Marilla. I ve been thinking them out for a week. I shall give life here my best, and I believe it will give its best to me in return. When I left Queen s my future seemed to stretch out before me like a straight road. I thought I could see along it for many a milestone. Now there is a bend in it. I don t know what lies around the bend, but I m going to believe that the best does. It has a fascination of its own, that bend, Marilla. I wonder how the road beyond it goes--what there is of green glory and soft, checkered light and shadows--what new landscapes--what new beauties--what curves and hills and valleys further on." "I don t feel as if I ought to let you give it up," said Marilla, referring to the scholarship. "But you can t prevent me. I m sixteen and a half, `obstinate as a mule, as Mrs. Lynde once told me," laughed Anne. "Oh, Marilla, don t you go pitying me. I don t like to be pitied, and there is no need for it. I m heart glad over the very thought of staying at dear Green Gables. Nobody could love it as you and I do--so we must keep it." "You blessed girl!" said Marilla, yielding. "I feel as if you d given me new life. I guess I ought to stick out and make you go to college--but I know I can t, so I ain t going to try. I ll make it up to you though, Anne." When it became noised abroad in Avonlea that Anne Shirley had given up the idea of going to college and intended to stay home and teach there was a good deal of discussion over it. Most of the good folks, not knowing about Marilla s eyes, thought she was foolish. Mrs. Allan did not. She told Anne so in approving words that brought tears of pleasure to the girl s eyes. Neither did good Mrs. Lynde. She came up one evening and found Anne and Marilla sitting at the front door in the warm, scented summer dusk. They liked to sit there when the twilight came down and the white moths flew about in the garden and the odor of mint filled the dewy air. Mrs. Rachel deposited her substantial person upon the stone bench by the door, behind which grew a row of tall pink and yellow hollyhocks, with a long breath of mingled weariness and relief. "I declare I m getting glad to sit down. I ve been on my feet all day, and two hundred pounds is a good bit for two feet to carry round. It s a great blessing not to be fat, Marilla. I hope you appreciate it. Well, Anne, I hear you ve given up your notion of going to college. I was real glad to hear it. You ve got as much education now as a woman can be comfortable with. I don t believe in girls going to college with the men and cramming their heads full of Latin and Greek and all that nonsense." "But I m going to study Latin and Greek just the same, Mrs. Lynde," said Anne laughing. "I m going to take my Arts course right here at Green Gables, and study everything that I would at college." Mrs. Lynde lifted her hands in holy horror. "Anne Shirley, you ll kill yourself." "Not a bit of it. I shall thrive on it. Oh, I m not going to overdo things. As `Josiah Allen s wife, says, I shall be `mejum . But I ll have lots of spare time in the long winter evenings, and I ve no vocation for fancy work. I m going to teach over at Carmody, you know." "I don t know it. I guess you re going to teach right here in Avonlea. The trustees have decided to give you the school." "Mrs. Lynde!" cried Anne, springing to her feet in her surprise. "Why, I thought they had promised it to Gilbert Blythe!" "So they did. But as soon as Gilbert heard that you had applied for it he went to them--they had a business meeting at the school last night, you know--and told them that he withdrew his application, and suggested that they accept yours. He said he was going to teach at White Sands. Of course he knew how much you wanted to stay with Marilla, and I must say I think it was real kind and thoughtful in him, that s what. Real self-sacrificing, too, for he ll have his board to pay at White Sands, and everybody knows he s got to earn his own way through college. So the trustees decided to take you. I was tickled to death when Thomas came home and told me." "I don t feel that I ought to take it," murmured Anne. "I mean--I don t think I ought to let Gilbert make such a sacrifice for--for me." "I guess you can t prevent him now. He s signed papers with the White Sands trustees. So it wouldn t do him any good now if you were to refuse. Of course you ll take the school. You ll get along all right, now that there are no Pyes going. Josie was the last of them, and a good thing she was, that s what. There s been some Pye or other going to Avonlea school for the last twenty years, and I guess their mission in life was to keep school teachers reminded that earth isn t their home. Bless my heart! What does all that winking and blinking at the Barry gable mean?" "Diana is signaling for me to go over," laughed Anne. "You know we keep up the old custom. Excuse me while I run over and see what she wants." Anne ran down the clover slope like a deer, and disappeared in the firry shadows of the Haunted Wood. Mrs. Lynde looked after her indulgently. "There s a good deal of the child about her yet in some ways." "There s a good deal more of the woman about her in others," retorted Marilla, with a momentary return of her old crispness. But crispness was no longer Marilla s distinguishing characteristic. As Mrs. Lynde told her Thomas that night. "Marilla Cuthbert has got MELLOW. That s what." Anne went to the little Avonlea graveyard the next evening to put fresh flowers on Matthew s grave and water the Scotch rosebush. She lingered there until dusk, liking the peace and calm of the little place, with its poplars whose rustle was like low, friendly speech, and its whispering grasses growing at will among the graves. When she finally left it and walked down the long hill that sloped to the Lake of Shining Waters it was past sunset and all Avonlea lay before her in a dreamlike afterlight-- "a haunt of ancient peace." There was a freshness in the air as of a wind that had blown over honey-sweet fields of clover. Home lights twinkled out here and there among the homestead trees. Beyond lay the sea, misty and purple, with its haunting, unceasing murmur. The west was a glory of soft mingled hues, and the pond reflected them all in still softer shadings. The beauty of it all thrilled Anne s heart, and she gratefully opened the gates of her soul to it. "Dear old world," she murmured, "you are very lovely, and I am glad to be alive in you." Halfway down the hill a tall lad came whistling out of a gate before the Blythe homestead. It was Gilbert, and the whistle died on his lips as he recognized Anne. He lifted his cap courteously, but he would have passed on in silence, if Anne had not stopped and held out her hand. "Gilbert," she said, with scarlet cheeks, "I want to thank you for giving up the school for me. It was very good of you--and I want you to know that I appreciate it." Gilbert took the offered hand eagerly. "It wasn t particularly good of me at all, Anne. I was pleased to be able to do you some small service. Are we going to be friends after this? Have you really forgiven me my old fault?" Anne laughed and tried unsuccessfully to withdraw her hand. "I forgave you that day by the pond landing, although I didn t know it. What a stubborn little goose I was. I ve been--I may as well make a complete confession--I ve been sorry ever since." "We are going to be the best of friends," said Gilbert, jubilantly. "We were born to be good friends, Anne. You ve thwarted destiny enough. I know we can help each other in many ways. You are going to keep up your studies, aren t you? So am I. Come, I m going to walk home with you." Marilla looked curiously at Anne when the latter entered the kitchen. "Who was that came up the lane with you, Anne?" "Gilbert Blythe," answered Anne, vexed to find herself blushing. "I met him on Barry s hill." "I didn t think you and Gilbert Blythe were such good friends that you d stand for half an hour at the gate talking to him," said Marilla with a dry smile. "We haven t been--we ve been good enemies. But we have decided that it will be much more sensible to be good friends in the future. Were we really there half an hour? It seemed just a few minutes. But, you see, we have five years lost conversations to catch up with, Marilla." Anne sat long at her window that night companioned by a glad content. The wind purred softly in the cherry boughs, and the mint breaths came up to her. The stars twinkled over the pointed firs in the hollow and Diana s light gleamed through the old gap. Anne s horizons had closed in since the night she had sat there after coming home from Queen s; but if the path set before her feet was to be narrow she knew that flowers of quiet happiness would bloom along it. The joy of sincere work and worthy aspiration and congenial friendship were to be hers; nothing could rob her of her birthright of fancy or her ideal world of dreams. And there was always the bend in the road! "`God s in his heaven, all s right with the world, " whispered Anne softly. CHAPTER XXXVII UP 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 15 30 (Tue)